MEDIA • MUSIC • CULTURE • PARTNERSHIPS
EUROPE • ASIA • AFRICA • MIDDLE EAST.
Where music moves,
RAME follows.
We connect the dots between sound, power and culture giving the people shaping music the depth that timelines cannot.
STORIES WORTH STOPPING FOR.
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Javed Akhtar critiques the changing landscape of Indian music, stressing the need to preserve our rich heritage amidst globalization. He highlights how today’s music often lacks the emotional depth of the past. Curious…
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Discover how Ed Sheeran’s ‘Sapphire’ became a sensation in India by embracing local culture. From cricket matches to Punjabi lyrics, this campaign redefines global music marketing. Curious to learn more about this cultural…
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Two key court rulings on AI and copyright have stirred the pot. While they affirm AI training can be transformative, the nuances raise questions about fair use in music. Is it game on…
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Malaysian musicians are voicing their concerns as three CMOs challenge new government guidelines aimed at better governance. Many artists are perplexed, believing the guidelines protect their rights. With support for these changes growing,…
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Universal Music Group makes history as the first major music label on TIME100’s Most Influential Companies list for 2025! With a focus on creator rights, ethical AI, and fair streaming models, UMG is…
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French music is making waves globally, with a staggering 192% growth in streams since 2019! Discover how this lyrical revolution is reshaping the music landscape and connecting cultures. Don’t miss out read the…
What RAME is
A media brand with a point of view.
Discover the sound. Understand the business.
See what’s next.
Our editorial work sits at the intersection of music, culture, technology and commercial change. That is where the interesting stories live.
The four RAME worlds
- Music discovery ↗
- Media & storytelling ↗
- Partnerships & amplification ↗
- Culture & experiences ↗
Make culture move for your brand.
Editorial, social and live formats built for artists, labels and brands with something real to say.
